How The Final Allodoxaphobiaism Images Went

When I first begun to take my final images I decided that I wanted to split the project up into two different sets of images. One set of images I wanted to represent the metaphorical symbolism of someone who suffers from Allodoxaphobia and the effects this has on them mentally and the other set being the physical representation.

One aspect that was very important to me in this project was the order of the images in the photo book. I wanted each image to parallel or juxtapose along side each other throughout. For example I want to reflect a metaphorical image with a physical one as I feel that the images would create more impact this way.

Cracked Ground Firstly I would like to explain my faviourite image, ‘Breaking Point’, which is the one I begin my photo-book with. Simply enough I feel that this image is a good reflection of the cracking up of someones mental state. There are a variety of features which I found intriguing and interesting in this photograph. The way the cracks deepen towards the middle represents how deeply scarred someone who is suffering from this phobia could be by those around them. Along with the cracks, the colour grows darker also towards the centre of the image and i think the mixture of greys work well together to further emphasize the complexity of the image.

Balloon My next image, ‘Hot Air’, is another that I feel particularly proud of. Using a balloon in an image was part of my original ideas to express the mental state behind Allodoxaphobia. I wanted to play with the idea of our opinions and words are simply air but also I thought a balloon would be a good way to show the tension that people suffering from Allodoxaphoia would face everyday from everyone having everything to say about anything and that, some of the time, it is simply hot air. Originally I tried to capture an image of a balloon bursting to show the pointlessness of our words and the harmful effects it could have on others however, technically this proved an issue as I could never grasp the exact moment and I ran out of props! However I feel the deep matte purple compared with the neutral background and the stripped colour of the model works nicely as well.

The Rake WillShouting These two of my photographs are called ‘Scrape Away’. The first image of the rake caught my eye and was an improvised image. What drew me to it was how ironic it was; for example the function of the tool is to create order and structure. However not only has this tool been abandoned in this situation but also the weeds, grass soil and manure has all grown around and over it, burying it underneath the very debris it was created to organise. I simply thought that this paired very well with the second image of the two people- with one of them yelling and the other clearly in distress. It must be how Allodoxaphobic people feel with everyone around them. One of our main functions as humans is to have our own opinions and individual beliefs and without this there would be order and  and whilst this may not be a good thing, it would prevent Allodoxaphobic people from feeling as suffocated and useless as the rake. The composition of the images were different and I am still not entire sure they compliment each other in this aspect. The rake image has a good depth from the foreground, the middle and the background where as the second image with the people is mostly the opposite. However I do like the way the second image, although looks staged, cuts the eyes out of the second person to put emphasis on the persons mouth as the main feature of distress.

The Woman This image of the woman in the window I find very calming. Most of the photographs and ideas I had for this project mostly relied on conjuring up disturbing or distressing issues and connotations however this is only one which I feel reflects the softer side of this phobia. Here I wanted to show the more vulnerable shy reclusive side. Mostly psychologists believe that people who suffer from this phobia do so as a result of fear from past abuse. Therefore I feel the image of the woman captures how faceless and alone these people must feel. I find the statue elegant however I feel that during editing I could have used more to edit to either make her stand out more against the background or to emphasize her figure more. I did experiment with turning her black and white however I found that this effect took away some of the elegance of the image which was my most favorite aspect though I do appreciate technically it is not the best.

Lightbulb inside outside My next pairing of images is called ‘intro-verted’ as a play on words to show the fact that the second image of a wide shot of metal has been used as my only inverted image in the project. The reason I introverted this image was because when it was in colour you could not see the imperfections in the metal but when you turned it ‘inside out’ as to say it reveals all sorts of blemishes in a similar way our skin protects others from seeing the suffering on the inside and without digging deeper our fears (such as allodoxaphobia) are hidden. The second image also reflects this view and acts as another of my stronger images. I wanted to create the representation of a mentality I have previously mentioned that without our individual beliefs (shown through the light bulb) we are all just a face. I’m quite proud that I actually managed to take this shot as it was quite difficult to maneuver the camera and the light bulb and my model to exactly the right position but I feel that the outcome was worth the perseverance.

The trout Paper In Mouth I called these images ‘Feeding The Fishes’. The first image of the frog fountain sculpture I wanted to use because I liked the symbolism of how a fish stares blankly and moves its mouth open and shut without making any sounds. I think this paired well with the second image which was one of my darker photographs. Here, I wanted the photograph to be grotesque and crude (which I believe it came across as) that we simply shove words out of our mouths without consequence. That sometimes our words have no meaning. Despite how the lighting and tone of these two photographs are very different and I, if i could do these again would probably have taken that into account, I still find that together they prove to be an effective grouping.

Headphones This is my second favorite photograph. Named ‘Music to my ears’ for obvious reasons I feel that it portrays the meaning of Allodoxaphobia better than any of my others. Again, this was one of my first original ideas however when I set out I begun to take profile pictures of the two of them but found that from the front the image held more impact. The shadow from the model on the right which covers the face of the woman on the left is one of the most effective features as it represents the imposing figure of the public always there and shoving there points of view into your ears no matter how hard you try and avoid it. The only ways I believe that I could have improved this image

tree bound thing copy WilliamBlindfold This pairing is called ‘Trapped’ for a variety of reasons. The image of the boy on the right side is portrayed differently to how I had first thought the idea to be shown as. I wanted to create a slightly darker image than I created. I feel as though I could have executed this idea better and possibly make the hands more of a feature to focus on rather than the face. However I also could not resist this angle therefore I chose this image and considering how the photo shoot went what is portrayed on the models face is genuine distress so I did not have to worry about authenticity. The second image was what I found in the middle of a field. A gardener had obviously given the tree some plastic in order to direct its growth however over the years the tree has grown in a different direction and the work of man has stifled its growth and caused the plastic to split and the wood to splinter. Those suffering from the Allodoxaphobia also have there mental growth stifled by the fear of forming there own opinions and hearing others.

Keys Bin   Appropriately named ‘Lip-Lock’ and ‘Talking Trash’ I have to say that I do like the imagery of these two images though I do feel that the right image of the bin is definitely my weakest. My intentions with the second photograph is I wanted to give the appearance of two lips with a tongue inside and I liked the grotesque feel of the bin as sort of an ‘offhand’ looking photograph as it was not a style I had used any where else in this project. However I believe the execution is definitely lacking in technique. The keys in the lips I prefer as it sets a more appropriate tone which I had not yet explored in these images which is slightly colder and more metallic which fits better with the style more than the photograph of the bin which translates as more amateurish.

Down the plughole  This is one my stronger images I believe in terms of concept. Called ‘Skin’ this image stands alone as the rust is slowly corroding the metal around a plug hole. The idea behind this image is resonably straight forward. The photograph is meant to express the years of corroding of an Allodoxaphobic persons mental state as they grow and learn that more and more people speak there minds whether they want to be heard or not. Some of it they can let go over there heads and drain away (hence the plug hole) however sometimes its the residue that sticks and rusts away slowly staining there emotional and mental states beyond repair. During editing I attempted to recreate a more skin-like tone with the rust which was originally a grey mould colour. I think this works well in the image and I particularly like the colours contrast with the metal and then the solid back of the segments.

Inhaler Lastly I conclude my book with another strong image called ‘Inhale’. This is meant to represent the media and its constant feeding of information to us. The pressure of the views which are pressed upon us everyday on the television, from adverts, the radio, the internet and other media forums we simply cannot escape from which is what the inhaler is metaphorically representing. The bandages are showing how we are helpless to see the pollution from the media and we are helpless to choose what we see or hear in our everyday lives which must be something terrifying for those suffering with Allodoxaphobia. In terms of technique I wanted the light to shine from the most important to the least important features in this image. For example the inhaler should be the first object in the image to draw the viewers attention, then the bandages and then the face. The fact that the face of the person is robbed from the image is something that I was intending from the beginning as one of my original ideas. I wanted the model to represent everyone of all sexes and age further emphasized by the fact that her hair fades into the black background. I like the way that this is the photo to conclude the book. Despite the fact that it is quite a depressing concept I feel the last image should leave an appropriate impression on the viewer and hopefully make some impact on there view on Allodoxaphobia.

I feel over all that my photo book project was a success. I believe that my only weaknesses were perhaps on first observation it is hard to grasp the meaning behind the images or what I am exactly attempting to portray.

 

Zuheir Dabbagh

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Immediately there was something that struck me about Zuheir Dabbagh’s style of painting and sculpting. I can not tell what it is that attracts me to it but I find the image above my faviourite of all of his work which I researched. I find it beautiful calming and the yellow in it very appropriate. It is Dabbagh’s use of colour which I believe completes and frames his work in a way I need to harbour and use in my own.

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Dabbagh discovers the beauty of the human body in his sculptures and paintings without seeming crude and exposing. He portrays his emotions and meaning through the colours and layout of his paintings and through the movement of his sculptures. Two aspects which I will need to use and emphasize in my photography to portray the meaning of my own work effectively.

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Chema Madoz

Chema Madoz is by far one of my favorite photographers which I have happened to come across in my research. I find his work fascinating and groundbreaking in my eyes. He takes household objects and makes them into something more. He create innovative interpretations on objects as straight forward as a boiled sweet and creates a whole new concept for it.

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Madoz uses juxtaposition in his work sometimes literally and sometimes metaphorically. For example he literally uses the combination of  people with objects to create a new concept. This is what he has done in my favorite piece of his- the image of the lady with the wine glass below.

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I simply think that this is genius. The way his style of soft and balanced lighting completely compliments the way the photograph oozes femininity, sexuality and fertility. At least this is the way I perceive the image.

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I simply find all his work creative, refreshing and beautiful. There is a way in which he uses the minimalist style and symmetric imagery to create a delicacy in all his work whatever the concept which I think is incredible. Discovering Mendoz and his work has most definitely helped me to discover stylistically how I want to compose my photobook and my photographs. He has made me consider lighting and Mendoz has also helped me to really consider the composition of my work in a way which I have not given much thought to before. However above all I believe it is his innovative surrealist taste of concepts which has inspired me the most to continue to branch out with my ideas.

Madoz stated in an interview for Elephant magazine that: ‘Objects have the same character that words do when you put one next to the other: they contaminate one another and meanings change. I profit from those circumstances.’ And I simply find these words encouraging and inspirational for my work. Looking at his work I find that I am feeling more confident about tackling my more daring ideas for this theme.

 

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Allodoxaphobia

“Allodoxaphobia (from Greek allo, “different”, and dox, “opinion”) is the fear of opinions. It is a rare social phobia. Those sufferers are associated with some environment or post where they feel set back or where their opinion is not accounted or does not seem to matter at all.”

Now that I had a concept I could focus on how I was going to portray this. I knew that the ‘easiest’ way to represent this fear was to experiment with two features: the lips and ears. As they were the two facial features involved with talking and listening. However I felt that this was too literal and I wanted to scrape away some of the surface of the phobia and go deeper using symbolism. Due to the large amount of images we were allowed to use in this project, I wanted to use this to my advantage and branch out in ways that I had not done before. I wanted to use colour to express individuality and distress however without using any cliche’s of black and white. I wanted to use shadow and lighting without appearing pretentious which, with a topic such as the one I have chosen is proving harder than I first thought.

Currently my ideas involve: manipulating facial features as a starting point, possibly restricting the lips in some way or causing the ear to bleed. I like the idea of completely bandaging three peoples head in a way that is exactly identical to expose the fear of opinions being the opposite of the fear of being exactly the same as each other and whether this is an ideal circumstance for someone suffering from Allodoxaphobia. The idea of using light bulbs as some kind of imagery as a way of portraying an idea being created. I want to use a balloon as a way of signifying the breaking point of tension for every always having an opinion about everything, whether its worthy or liable or not. However these ideas are only very rough drafts yet and I possibly wont use these at all after researching some photographers.

I wanted to investigate these ideas in a different range of locations. I want to use the studio due to how its interior makes it easier for me to manipulate my surroundings to create an image however I also want to branch out and take images outside or in a different room than the studio. This would not only challenge me but also hopefully show diversity in my work and reflect on

The style that I want to approach this project with is much like the way I want to choose my locations: broad. I want to use different types of style. Be that shocking or subtle, close up or portrait I want to show a broad range of as many skills as I can.

The Photo-Book Begins

So the photo-book begins… and like usual I have no idea what I can do my project around. I wanted to do a concept which was interesting to create but also I felt that, as this was my last project and would be created into a book I needed the theme to be strong and satisfying. My starting points were to play around with the concept of fear in some way. However as I researched into fear and how it is usually represented in photography I found a repetitive theme of the same concept being created and, despite that these can be effective I wanted to face more of a challenge.

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However then I begun to think about the unusual fears that some people suffered with everyday. These ideas included Cacophobia, which is the fear of ugliness which I thought would be really fun to do but I would need too many models which I would not have access too, Hippopotomentroses which is the fear of long words and this was interesting as I wanted to do a almost parody theme in the book of ‘silly’ fears and then Allodoxaphobia which is the fear of opinions which I felt was quite an open phobia which allowed me freedom to take the concept into a variety of ways.

For a week I wanted to revolve my book around Panophobia which was the fear of the next second. I was thinking that I would do a whole theme about clocks or the difference of the one second where the book would consist of a narrative. The narrative would be one person stood in one scene with nothing surrounding them and then in the following images objects and people would be added to the first empty scene to create a different feel to the image all together. This was meant to show how anything could change in a matter of one second.

However the more I begun to plan how to take these images the more it seems impractical and I realized I needed to come back down to earth. And this was when I finally decided to stick with one of my earlier ideas of Allodoxaphobia- the fear of opinions. This way I was free to take the concept in whatever way I wanted too.